Ayob, Abdul Halim and Yosri, Ali Abdul Rahman (2024) A Reinterpretation of Chiu Keng Guan’s Ola Bola: a Redefined Notion of Bangsa Malaysia from an Islamic Perspective. Journal of Creative Industry & Sustainable Culture (JCISC), 3. pp. 1-19. ISSN 2976-2480

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Abstract

National identity plays a crucial role in the development of a nation, with its essence continually evolving over time. Consequently, various endeavors have been made by authorities to shape a national identity in Malaysia. Among these efforts is Mahathir's concept of Bangsa Malaysia. Despite being labeled as a non�Islamic production, Chiu Keng Guan's film, Ola Bola, subtly reflects Islamic principles in fostering national identity. This study aims to redefine the emergence of a Malaysian national identity depicted in Ola Bola, aligning with Islamic values, and to challenge the established notion of Bangsa Malaysia. Through a thematic analysis and literature review of Ola Bola, the film's narrative is revisited and examined. Ola Bola, effectively conveying Islamic values in nurturing a cohesive national identity, was directed by a non-Muslim Malaysian, reshaping the predominantly Malay-centric concept of Bangsa Malaysia, as is evident. The film's three principal themes which are equality and fairness,the spirit of brotherhood and a shared identity and common goals, redefine Bangsa Malaysia and resonate with Islamic ideals of multiculturalism and a pluralistic society within the Malaysian context

Item Type:	Article
Uncontrolled Keywords:	Film Analysis, Malaysian Identity, Muslim Identity, Bangsa Malaysia, Ola Bola
Subjects:	H Social Sciences > HT Communities. Classes. Races
Divisions:	School of Creative Industry Management and Performing Arts
Depositing User:	Mdm. Rozana Zakaria
Date Deposited:	04 Mar 2025 07:10
Last Modified:	04 Mar 2025 07:10
URI:	https://repo.uum.edu.my/id/eprint/32102

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